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1498年达芬奇创作「最后的晚餐」1503年创作「蒙娜丽莎」， 他和米开朗罗基、拉斐尔被称为意大利文艺复兴三杰， 就简称达米拉吧。 其中， 米开朗罗基是凡蒂冈的「圣彼得大教堂」的设计者之一， 这座教堂的原址就是康士坦丁大帝修建的大教堂， 裸体的雕塑「大卫像」也是他雕刻的， 「哀悼基督」 也是他的作品，太多了。 拉斐尔是个性情完美极具魅力却坚决逃避了婚姻的美男子。
In 1498, Da Vinci created "The Last Supper," and in 1503, he created "Mona Lisa." He and Michelangelo and Raphael are known as the three great masters of the Italian Renaissance; we can just call them Damila for short. Among them, Michelangelo was one of the designers of St. Peter's Basilica in Vatican City, which was originally built on the site constructed by Emperor Constantine. The nude statue "David" is also his carving, as well as "The Lamentation over the Dead Christ," and there are too many more works by him.
Raphael was a handsome man with a perfect character and great charm who resolutely avoided marriage.
这些赤裸的人体和中国历史有什么关系呢？
What do these nude figures have to do with Chinese history?
答案是：不仅和中国人有关系 ， 和所有人都有关系。 这是对人类肉体的赞美， 为了用大理石雕刻出来， 米开朗罗基需要几年的工作时间（1501-04的大卫像）一锤一锤的敲打。 更重要的是， 他需要理解人类对于人体的看法， 什么是美的？ 只有理解这个问题， 才能完成美学创作。 当时并没有现代美学理论指导他， 欧洲人雕刻出了伟大的艺术品。
The answer is: It's not just about the Chinese people; it's about everyone. This is a celebration of human flesh, to be carved out of marble, Michelangelo needed years of work (the David from 1501-04) with one hammer strike after another. More importantly, he needed to understand humanity’s view of the body—what is beauty? Only by understanding this can one complete aesthetic creation. Back then, there were no modern theories of aesthetics guiding him, and Europeans still created great works of art.
如果将 1400-1800 年间的欧洲油画按照时间次序阵列观赏， 人们将看到几何透视清楚的出现并且精炼成为一种绘画技巧。 透视的原理 是三维空间物体 在人类双眼中的 投影原理， 在中国，因为几何学方面的欠缺， 也因为绘画技巧始终被文人把持， 透视原理几乎不可能被发现。
If European oil paintings from 1400-1800 were arranged in chronological order for viewing, one would see the clear emergence of linear perspective and its refinement into a painting technique. The principle of perspective is based on the projection of three-dimensional space objects onto human eyes, in China, due to the lack of geometry, and because painting skills were always controlled by literati, the principle of perspective was almost impossible to discover.
而当人们欣赏这样的艺术品后， 在美学中充满着对人体的赞美， 就可能不会再度残暴的撕裂人体而陷入兽性 。 统治者如果理解人体美学， 就可能不会用太监为自己服务， 而中国男人们玩弄小脚女人的时候也就可能多一点同情心。
And when people appreciate such works of art, filled with admiration for the human body in aesthetics, they might not again cruelly tear apart the body and sink into bestiality. If rulers understand the aesthetic of the human body, they might not use eunuchs to serve themselves, and Chinese men might show more empathy towards women with bound feet.
尊重人的社会当然就会赞美人体，也就会有赞美人体的艺术。 相反，金字塔的社会中所谓人类却只能赞美金字塔的顶点， 这也是我们为中国历史建立金字塔模型的美学方面的重要依据之一。
Of course, a society that respects people would praise the human body and thus have art that praises the human body. Conversely, in a pyramid society, so-called humans can only praise the apex of the pyramid. This is also one of the important aesthetic bases for us to establish a pyramid model for Chinese history.
也请注意，中国历史上从来没有建筑石头金字塔， 它的金字塔是权力之塔，从农业社会开始，直到硅芯片数字社会， 这一座人们视而不见的宝塔以绝对非人的姿态长久的 屹立在东亚神州。
Also note that China has never had stone pyramids in its history. Its pyramids are power towers, from the agricultural society era until the silicon chip digital age. This tower, long ignored by people, stands in an absolutely inhuman manner in East Asia.
在中国此时还是明朝， 明孝宗在位。 当时中国有一位大思想家， 王守仁， 这个时候他刚考上进士， 他爸爸学历更高是前任状元。 王守仁后来推创心学， 这是关于心的学问， “致良知”的方法是格物致知。 就是说推究事物的原理， 从而获得知识， 最终， 心中产生良知。
In China, at this time it was the Ming Dynasty, with Emperor Xiaozong in power. At that time, there was a great thinker in China named Wang Shouren. At this point, he had just passed the imperial examination and become an进士. His father's education level was even higher; he was a former状元. Later, Wang Shouren propagated and founded Heart Learning, which is about the study of the heart. The method of "attaining knowledge through innate goodness" involves exploring the principles of things to gain knowledge, ultimately leading to the generation of innate goodness in one's heart.
但是，身体语言中， 没有鸡巴的男人和断了脚的女人预示着中国将入地狱。
But in body language, men without penises and women with broken feet foretell that China will go to hell.
这个世界里不是仅仅有坏人，好人还没有死光， 但是在金字塔内暴露的善意如同海水中的血腥会引来鲨鱼。 是金字塔的结构力量消灭良知， 百折不挠、反复呈献良知的是微弱的心灵。
This world is not merely filled with villains; the good have not yet perished, but the benevolence exposed within the pyramid attracts sharks like blood in seawater. It is the structure of the pyramid that extinguishes conscience, and it is the fragile heart that persistently and repeatedly offers up conscience.
无法守卫人类身体的安全的时候， 守卫良知的希望是和镜花水月一样的不现实。 人体的现实意义原本应该高于思想， 但是聪明人最容易忘记这一点， 结果是中国人中的太监和小脚女人成为核心的文化内容。
When unable to safeguard the physical safety of humans, guarding the hope of conscience is as unrealistic as mirage and fleeting illusion. The actual significance of the human body should originally have been higher than that of thought, but clever people are最容易忘记这一点， resulting in castrated men and women with bound feet becoming core cultural content among the Chinese.
寻找一种思想有时候如同大海捞针， 就算聪明如中国人也常常找不到， 可是身体是每个人都有的。 思想与身体的中西对比有令人恐惧的结果， 就是说自做聪明的中国人为了思想的聪明忘记了身体， 结果肉身都被猩猩捕食， 千万人都被吃掉了。
Finding an idea can be as difficult as searching for a needle in the sea, even for people as smart as the Chinese, they often fail to find it. But everyone has a body. The comparison between mind and body in the West and East can have terrifying results: self-proclaimed clever Chinese people focus so much on mental acuity that they neglect their bodies, resulting in bodily extinction, where millions were devoured by apes.
无 + 无 = 无
0 + 0 = 0
无 + 上帝 = 一切
0 + God = Everything
格物致知，致良知。这种思想的问题是它没有定义主语， 主语必须是人。而它没有定义人，更不可能定义神。
Know Things and Gain Knowledge, Attain the Good Conscience. The problem with this idea is that it does not define the subject, which must be a person. And if it cannot define a person, it certainly cannot define a deity.
究竟是人得到了神的形象，还是神必须体现人的形象？
Is it that humans have taken on the image of gods, or must gods manifest in the image of humans?
在中国，有学问的人说自己在寻找真理， 然而猩猩才是更适合爬上金字塔的物种， 金字塔上的真理很明显只在顶点，早就被猩猩们抢去了。
In China, those with knowledge say they are seeking the truth, but it is the gibbons that are better suited to climb the pyramids. The truth on top of the pyramid is clearly only at the apex, long since stolen by the gibbons.
东方文化中有阎罗殿， 西方文化中有最终的审判， 这仿佛是同一个地址的不同名称。 阎王是多神系统公司里的高层管理者， 他有两名助手， 一位穿着白色的衣服， 一位穿着黑色的， 并称黑白无常。
In Chinese culture, there is the Hall of Hell, and in Western culture, there is the final judgment, which seems to be the same address under different names. King Yama is a high-level manager in a polytheistic system company, and he has two assistants, one dressed in white and one in black, known as Black and White Unchanging.
如果构造平行空间的理论， 那么中文神话中至少有三个平行空间： 九天之上的仙界， 人世间， 九泉之下的阴间。
If the theory of constructing parallel spaces were to be realized, then there would be at least three parallel spaces in Chinese mythology: the Heavenly Realm above the Nine Heavens, the mortal world, and the Netherworld below the Nine Hells.
许多中国人相信轮回。在循环中灵魂进入不同的肉体， 如果有一世轮回成为大理石， 无法移动， 无法挣脱。 想要化为人形， 也许 要等待雕刻师的发现， 之后尚要忍受榔头和凿子无数的敲打， 石屑四散， 骨肉剥离， 才能渐渐显露身形， 此时已经千锤百练， 锤锤落肉。
Many Chinese people believe in reincarnation. In the cycle, the soul enters different bodies, if one life is as marble, unable to move, unable to escape. To take on a human form, perhaps it must wait for the carver’s discovery, and then endure countless strikes from hammers and chisels, fragments scattering, flesh peeling away, only gradually revealing its shape after being hammered and chiseled many times.
如果用物理学给人们提供一点轮回的指引， 那么轮回做人的机会是很小的， 多数时候， 我们死后将成为非人的存在， 在无尽的颠簸中失去生前的意识。 但是不论怎样， 在相当长的时间里， 轮回的场所还是地球重力圈。
If physics were to offer any guidance on rebirth, the chances of being born human again would be slim. Most of the time, after we die, we will become non-human entities, losing our conscious awareness in an endless jolt. But nonetheless, for a considerable period, the place of rebirth remains within Earth’s gravitational field.
进入新的世纪，公元 1500 年之后， 在欧洲的教堂中早已经普及的乐器是管风琴，它常常被称为 乐器之王， Organ Pipe，是地中海边亚历山大港的数学家 Ctesibius 在中国的战国晚期发明的， 到公元 1500 年后， 意大利出现了小提琴和钢琴的早期原型， 三大类古典乐器都被发明了：管、弦、击打乐器。
Enter the new millennium, after AD 1500, in European churches, the organ was already widely used, often referred to as the King of Instruments, the Organ Pipe, was invented by the mathematician Ctesibius in Alexandria on the Mediterranean coast during China's Warring States period, by AD 1500, early prototypes of the violin and piano emerged in Italy, and the three major categories of classical instruments were invented: wind, string, and percussion.
乐器只算是工具， 更重要的是人们创作的音乐。 对这些作品的喜爱则是文明社会的共性， 中国人的音乐相比之下 可谓是 原始落后。
Instruments are merely tools, what truly matters is the music created by people. This love for such works is a commonality in civilized societies, compared to Chinese music, it can be said to be primitive and backward.
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