中文原文 · 中文 + English · History index / 历史目录
1350年， 元朝画家黄公望绘制：富春山居图。 过六米长卷 ， 山河无限， 观望这样的绘画时， 会产生离世入画的欲望。
In 1350, Yuan dynasty painter Huang Gongwang created: Dwelling in the Fuchun Mountains. A six-meter-long scroll, with boundless rivers and mountains, viewing such paintings induces a desire to脱离尘世，融入画卷。
历史中， 中国是黄河长江流域的伟大国家， 在同北方游牧民族的艰苦对峙中， 令游牧民族成为长城之外的野蛮人。 现在， 蒙古人奔驰在欧亚大陆， 比狼群更凶， 他们有能力屠杀所有人。在屠刀下， 原来的南宋汉人比牛马还下贱， 甚至蒙古人规定农民不能个人拥有菜刀。 他们的女儿也需要先被蒙 古首领睡过之后才能嫁人。
In history, China was a great nation in the Yellow River and Yangtze River basins, where it confronted the nomadic tribes to the north with great hardship, making them barbarians beyond the Great Wall. Now, the Mongols are galloping across Eurasia, fiercer than wolf packs, with the ability to slaughter everyone. Under their knives, the former Southern Song Han people were even more degraded than cattle and horses, to the extent that the Mongols stipulated farmers could not privately own a knife. Their daughters also had to be slept with by the Mongol chieftains before they could marry.
对中国统治者来说， 中原大地是一只梅花鹿。中原逐鹿， 就是追杀中原百姓获得统治权力的捕猎过程， 它们决不希望有长城之外的野蛮人来干涉， 因此长城越修越高。 但是现在蒙古人早已经踏破贺兰山缺， 视长城为无物。
For Chinese rulers, Central Plains was a梅花鹿 (Méihua lù). 中原逐鹿 (Zhōngyuán zhú lù) means the hunting process of pursuing and killing the people in Central Plains to gain ruling power. They never wanted barbarians beyond the Great Wall to interfere, so the Great Wall became higher and higher. But now the Mongols have already trampled through the缺 of贺兰山 (Huèlán shān qiē), regarding the Great Wall as nothing.
这是农业化后农牧对立的必然结果， 地理决定历史的定律在无情的支配着中国人的命运。 牧民是无法被消灭的， 大草原、大戈壁保护着他们， 让他们生存和强大。
This is the inevitable result of the conflict between agriculture and pastoralism. The law that geography dictates history is mercilessly controlling the fate of the Chinese people. Pastoralists cannot be eliminated; the vast steppes and deserts protect them, allowing them to survive and become strong.
直到1368年， 朱元璋领导农民起义攻克元大都建立明朝。 蒙古牧民才被赶出了中国， 当时地球人口3.5亿。以后， 蒙古人和东亚人几乎可以混为一谈了。
Until 1368, when Zhu Yuanzhang led peasant uprisings to capture Yuan Dadu and establish the Ming Dynasty, the Mongol nomads were driven out of China, then home to about 350 million people. Afterwards, the Mongols and East Asians could almost be considered indistinguishable.
这段时间在金字塔模型中是又一次大血祭， 之后同样的金字塔上培育同样的爬虫。 自从宋朝人掰断女人脚掌之后，东亚的人类已经沦为爬虫类， 宋元明清四个朝代显示金字塔不断的引来墙外的游牧部落前来做金字塔的主人， 金字塔的功能是让人类进化为爬虫，它一定会给自己修墙， 万里长城越来越长，但是决定墙内爬虫思维的不是什么逻辑和智慧， 而是金字塔。爬虫们也找不到人体美学，虽然它们都还保持着人体， 爬虫们的美学变为：伟大英明的圣上。君臣父子男女， 严格的所谓儒家秩序， 其实美学标准已经被金字塔制定了。
In this period of the pyramid model, another grand blood sacrifice took place, followed by cultivating the same爬虫 on the same pyramid. Since the Song Dynasty people broke women's feet, humans in East Asia have become爬虫, with the Song, Yuan, Ming, and Qing dynasties showing that the pyramids continually attracted nomadic tribes from outside to become their rulers. The function of the pyramid is to transform humans into爬虫; it will inevitably build walls for itself. The Great Wall has grown longer and longer, but the thinking of the爬虫 within does not depend on logic or wisdom, but rather on the pyramid. The爬虫 cannot find human body aesthetics, although they still maintain human bodies. The aesthetic standard of the爬虫 became: the great and enlightened emperor. King and minister, father and son, man and woman, the so-called Confucian order was actually predetermined by the pyramid.
家庭兴旺子孙满堂是爬虫们成为人上人的基础手段之一， 如果我们将历史看做有限的四维时空中已有的人类活动， 一条条血脉自然是延伸到所有人身上的线索。 人类史当然不是低小的四维， 每个人不仅仅是占据一个三维人体空间的木偶， 他有心与脑，有感觉、思维、情绪等等，每一项都构成自己的维度。 因此人类史的本质是高于四维的， 四维的体积只是一个低阶的近似。
Family prosperity and a multitude of descendants are one of the foundational means for spiders to become superior beings, if we view history as human activities already existing within the confines of a finite four-dimensional spacetime, each lineage naturally serves as a线索 extending to all individuals. Of course, human history is not confined to lowly four dimensions; every person is more than just a puppet occupying a three-dimensional physical space. They have hearts and brains, feelings, thoughts, emotions—each constituting their own dimension. Thus, the essence of human history transcends four dimensions, with the four-dimensional volume merely being a low-order approximation.
在时间轴上（时间维度）我们看到血脉线过的延伸变化， 地球表面上不仅仅包括中国人， 比如此时在中国明朝的时候，全球有数亿人。 那么善与恶也被血脉大网串联着， 可以谁能看清一条条血脉是在走向善还是走向恶？
On the timeline (in terms of time dimension), we see the extension and changes in the bloodline lines, not limited to Chinese people on Earth's surface. For example, at the time of the Ming Dynasty in China, there were hundreds of millions of people around the world. So good and evil are also connected by this vast web of bloodlines. But who can see which bloodlines are heading towards good or evil?
朱元璋严惩犯罪的官员，皇帝下令剥下他们的人皮做成稻草人的衣服。 这些稻草人似乎被树立在朱家的田野间，驱逐偷食的鸟雀。
Zhu Yuanzhang severely punished officials who committed crimes, ordering the removal of their skin to make clothes for scarecrows. These scarecrows seemed to be set up in the fields of the Zhu family, driving away birds that might steal food.
朱元璋是又一个开国皇帝，神武英明， 他革除丞相体制的制约建立了更为集权的大一统明朝。 然而在宋元明清四个朝代的演变中，他只是其中一个步骤， 大趋势是完成一个越来越坚固的集权金字塔。 朝代与朝代之间再没有分裂祖国的多国并立， 所谓分分合合的天下大势其实只剩下了：合。
Zhuh Yuanzhang was another founding emperor, resolute and illustrious, who abolished the constraints of the chancellor system to establish a more centralized Ming dynasty. However, in the evolution among the Song, Yuan, Ming, and Qing dynasties, he was merely one step, with the overarching trend being the completion of an increasingly solid centralization pyramid. Dynasty followed dynasty without any division that could reunite the country under multiple states, and so-called division and unification of the world's great pattern actually amounted to: unity.
这恰好发生的伊斯兰教一统中东之后， 或者说丝绸之路的西边不是像唐朝之前的样子了，中国也就宋元明清了。
This恰好发生在伊斯兰教统一中东之后， 或者说是丝绸之路以西不再是唐以前的样子时，中国则是宋、元、明、清。
明朝人口是世界第一，比当时其它三个人口最多的国家加起来都多， Mughal, Ottoman, Iberian. 如果只算欧洲的话，十个国家加起来也不如明朝。 将明朝和欧洲做文化比较时， 应注意这仿佛是在比较一只腐烂的大象和一只健康的猫。
During the Ming Dynasty, China's population was the largest in the world, surpassing the combined populations of the then four most populous countries: Mughal, Ottoman, and Iberian. If we only consider Europe, the population of ten European countries combined would still be less than that of the Ming Dynasty. When making cultural comparisons between the Ming Dynasty and Europe, it is as if one is comparing a腐烂的大象 with a健康的小猫.
元末明初， 离开非洲的流浪已经消失在记忆之外， 中国女人缠着小脚看着一群农民和地主。 对农民来说， 抢回土地就是最大的胜利了。 人们再难有自由的记忆和单纯的勇气。
At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, the wandering from Africa had faded into memory, Chinese women with bound feet watched a group of farmers and landlords. For the farmers, reclaiming land was the greatest victory. People could no longer remember freedom or have simple courage.
明朝后来迁都北京， 让长城之外的民族面对强大的边关明军， 在部落变迁之后， 塞外的荒蛮仍然是游牧民族。 春去秋来一年年过去， 他们依旧可以聚集起冲入长城的力量， 双方再次军马对战， 再次血洗边关。
The sea seemed to despise men without chickens, those considered “Chinese men.”
在金字塔边界上， 一边是守国戍边的中原将士，一边是强壮善战的部落勇士， 这是中国史的主旋律之一。
At the boundaries of the pyramids, one side are loyal Central Plains warriors guarding the nation, and the other side are strong and battle-hardened tribal warriors. This is one of the main themes in Chinese history.
古中国和古欧洲有过相似的命运， 它们都被野蛮人毁灭性的侵略。 在农业社会， 没有一个国家能够将所有的土地纳入版图， 或者将所有的人口统一镇压。 一方面没有这个能力， 一方面也没可能屈服。 牧民生活在农田的范围之外， 在农业无法覆盖的大地上， 总有流浪的牧民。 农民和牧民生活在两种不同的生态中。
Masaccio, 1401 – 1428, Florentine artist, Italian
是天地提供了流浪的空间， 让人们不被单一的统治制度覆盖。
It is the heavens and earth that provide space for wandering, allowing people to be free from a single ruling system.
在这几个世纪， 欧洲开始 所谓文艺复兴。 Renaissance 这个词的法语和拉丁语词根中都根本没有文艺的意思， 它的本意只是复活、复兴， 如果要强调此次 复兴的重要地位， 大复兴 也比文艺复兴更好。 但是中文史中却以「文艺复兴」作为欧洲这一历史时期的固定名词。 同之前的欧洲史被称为 '黑暗的中世纪' 一样， 这些都是 汉字在翻译中恶意污染人类历史概念的例子。
In traditional Chinese culture, these were categorized as 'tricks and gimmicks.'
大复兴 包括 宗教革命，古罗马法律的复兴， 政教分离， 大量艺术创作, 人体艺术，思想启蒙运动， 建筑风格的变化， 开始大航海时代， 科学也开始萌芽等等， 这些都是真正推动文明进步的有历史意义的进步， 也都是食人族不可能理解的内容， 当时中国统治者和 蠕家最高地位的学者们 同样还没有可能去理解, 因此将 Renaissance 翻译为 文艺复兴 可以用贬低西方此时不过是文艺一下而已。
Geometric principles and optical imaging principles weren't only for painting methods; they had widespread applications in social production. But they hardly appeared in traditional Chinese paintings. Another strange absence was the human form.
所谓黑暗的西欧远不如相应时期的东亚更黑暗， 西欧至少有天主教的光明对抗世俗里可能的暴政， 当一个社会的历史被世俗统治者和教堂同时记录时， 历史书本身的信息量和可靠度也相应地远超中国这种大一统的中央叙事。
Why? Did Chinese people not perceive the body?
小提琴 被认为是 一种最难掌握的乐器， 此时在意大利 由其它几种 弦乐器演化而来， 后来在历史上 著名的乐师如 巴赫、 莫扎特（1756-）、贝多芬（1770-） 等人都为这一乐器谱写了精彩的乐曲。 钢琴要发展到类似的完美程度则 还要至少再等二个世纪， 但是后世钢琴上标志性的 黑白两种琴键和相应的 音阶次序却是 很早就出现了， 莫扎特 和贝多芬 都有钢琴曲，当然也都是传世名作。 为教堂 演奏圣乐 的管风琴 则更是在一千年前就出现过了， Pipe Organ, 被称为 乐器之王， 拥有非常宏伟的声音， 也需要更多的操作杆和 键盘按键。
Art could express itself through various means, with many exquisite ink wash paintings in Chinese history, but overall, traditional Chinese art lacked two elements: human forms and imaging principles.
回顾第十四、十五两个世纪里， 欧洲的复兴至少有几个方面： 自然主义的重生 -- 这是神学概念的演化; 人文主义思想关注人类的存在与潜能; 科学技术的拓展比如印刷术和火药； 艺术的广度和深度拓展, 比如非宗教主题，艺术品的私有化； 统治阶层包容新兴阶级后的变化； 还有文学、社会思想启蒙、建筑技术、海洋探险等等 ...
In the 14th and 15th centuries, the Renaissance in Europe had several aspects: the rebirth of naturalism — this was an evolution of theological concepts; humanist thought focused on human existence and potential; the expansion of science and technology, such as printing and gunpowder; the broadening and deepening of art, including non-religious themes and the privatization of artworks; changes in the ruling class due to the inclusion of emerging classes; as well as literary works, social enlightenment, architectural techniques, and maritime exploration, among others...
艺术家只是参与其中的一部分， 但是他们却更生动的展示了思想与审美的复兴。 巨变并不是从事实和逻辑中一层层向上开始的， 相反，是从审美立场的复活开始的。 而这也是一个例证说明为什么中国艺术史中缺乏的人体美学标准是一个巨大的文化缺陷。 不论中文如何虚伪的提倡仁义道德忠孝礼仪慈爱等等，它其实是反人体反人类的， 如果不补偿这一文化缺陷，它将吞噬一代又一代国人。
Artists are just a part of this involvement, but they more vividly showcase the revival of thought and aesthetics. The transformation did not begin layer by layer from facts and logic, but rather from the resurrection of aesthetic stance. And this is also an example illustrating why the lack of human body aesthetic standards in Chinese art history constitutes a significant cultural deficiency. Regardless of how pseudo-ethics such as benevolence, righteousness, propriety, filial piety, loyalty, and kindness are promoted in Chinese, it is actually anti-human and anti-bodily, and without compensating for this cultural defect, it will devour generation after generation of the Chinese people.
欧洲大复兴中的许多概念都是中文世界中没有的， 而最多文化碰瓷发生的地方大约是火药与印刷术的发明权， 简体中共人想要做欧洲技术的前辈的欲望其实是一种不值得关注的意淫。 西欧在火器方面的进展并非硝石、炭粉、硫磺三种黑火药成分粗糙的配方所能遮掩的。 中文本身是一种高成本文字， 中文字体应用 印刷技术的成本远高于拉丁文字， 历史上大量排版印刷中文书籍是发生在欧洲将印刷术传入中国以后的。
Many concepts in the Renaissance of Europe do not exist in the Chinese world, and the place where cultural appropriation occurs most frequently is probably over the invention rights of gunpowder and printing technology. The desire for Communist China to be regarded as a predecessor of European technology is actually an unworthy act of self-delusion. The advancements in firearms in Western Europe cannot be concealed by a crude formula of three black powder components: nitre, charcoal, and sulfur. Chinese characters themselves are a high-cost form of writing, the application of Chinese character fonts and printing technologies cost far more than those for Latin script. Historically, the mass printing of Chinese books was largely carried out after Europe transmitted printing technology to China.
而且在缺乏人文关怀的金字塔里， 一切技术都被用于统治与镇压。 这里的所谓统治阶级不是什么贵族传统， 而是让人们向上爬的文之愚昧科举、武之逐鹿中原。
And within pyramids devoid of human compassion, all technology is used for domination and suppression. Here, the ruling class is not some noble tradition, but rather the literary ignorance of the imperial examination for ascending the social ladder and the martial prowess in conquering Central Plains.
因此我们需要重新理解：宽容。 宽容并不是说一种态度，而是指社会的维度， 只有宽容的社会才能支撑如此广泛的复兴。 如果我们以线性矢量空间的概念来理解的话， 维度带来的容量变化是巨大的，比如： 有 X Y 两个维度的平面比仅有一个维度 X 的直线宽容无数倍。 而中国社会就是仅有一个「权力 维度」的低维社会， 发生在西欧的变化在中国这个集权社会， 也就是低维度愚民社会中，是没有可能出现的。
Therefore, we need to redefine tolerance. Tolerance is not an attitude but a social dimension, and only societies with tolerance can support such extensive复兴.
If we understand it using the concept of linear vector spaces, the capacity change brought by dimensions is enormous; for example: a plane with two dimensions (X and Y) is infinitely more tolerant than a one-dimensional line (X). China's society is a low-dimensional society with only one 'power dimension'. The changes that occurred in Western Europe cannot happen in China’s centralized society, which is essentially a low-dimensional society of ignorant people.
这一段时间里，达芬奇和米开郞罗基 是艺术家中的代表， 他们的绘画和雕塑如古希腊雕塑般重新赞美人体， 也再一次定义了美学。 对健美裸体大胆的艺术展示不是为了鼓励东亚人心中的情色， 而是在艺术上表述人类的文化，不论是在宗教上还是在世俗中， 都以对人体的认同为基础。人类美学的基础当然是人体， 这其实是一种简单而且难于否认的事实， 而中国人长期以来却视之为天方夜谭。
During this period, Leonardo and Michelangelo were representatives among artists.
Their paintings and sculptures once again glorified the human body like ancient Greek sculptures, redefining aesthetics.
The bold artistic display of健美裸体 (please replace with appropriate English term) was not intended to encourage eroticism in the hearts of Eastern Asians;
rather, it expressed humanity's culture on both religious and secular grounds, based on an acknowledgment of the human body. Of course, the foundation of human aesthetics is the human body—this is a simple fact that is hard to deny.
For a long time, however, the Chinese have regarded this as a tale out of Arabian Nights.
并不是一两个艺术品改变了人们对美学的认知，而是大量的作品， 什么是美的？如果人类不以人体为美，切割人体就是自然的行为。 魔鬼也希望人们误解它们的欲望，人体之美展示的不是魔鬼的食物。 同理，中国人从来没有意识到切掉太监的鸡巴有什么不妥， 它们的悠久文化从来没有去阻止切割人体的恶行。
It wasn't one or two artworks that changed people's perception of aesthetics; rather, it was a multitude of works. What is beauty? If humans did not consider the human body beautiful, cutting the body would be a natural behavior. The devil also desires for people to misunderstand their desires. The beauty of the human body does not show what the devil feasts on. Similarly, Chinese people never realized there was anything inappropriate about amputating eunuchs' genitalia; their long-standing culture never stopped these acts of bodily mutilation.
人体的美和十字架上的苦难成为西欧社会进步的强大的推动力量， 文艺复兴时， 欧洲人做了很多保留鸡鸡、袒露乳房的裸体艺术。
The beauty of the human body and the suffering on the cross became powerful forces driving social progress in Western Europe. During the Renaissance, Europeans created many nude artworks featuring genitalia and exposed breasts.
对于兽性来说， 这些裸体都是诱惑和挑逗。 然而对于人性来说， 这就是人的形象， 是美学的基础。
For beasts, these nudity are temptations and provocations. However, for humanity, this is the image of a person, the foundation of aesthetics.
1405年明朝太监郑和率船队出海， 扬我大明国威。
In 1405, Admiral Zheng He led a fleet out to sea, showcasing the might of the Great Ming.
又是一个太监。他的鸡巴又被切除了。
Another eunuch. His penis was removed again.
他指挥的船队规模远远超过近一个世纪后伟大的航海家哥伦布的船队， 他的造船与航海技能会让哥伦布自愧不如， 因为哥伦布本人即不是工匠也不是领航员。 郑和的船队出发八十多年后， 1492年哥伦布的船队才从西班牙港口出发。 然而郑和的鸡巴早已经被切掉了， 被他生活的时代切掉了， 被一些胜利的军人理所当然的切了， 这样的朝廷真的也不配拥有更伟大的航海家。
He commanded fleets far larger than Christopher Columbus's nearly a century later, his shipbuilding and navigation skills would make Columbus ashamed, for Columbus himself was neither a craftsman nor a navigator. Eighty-some years after Zheng He's fleet set sail, Columbus's fleet departed from Spanish ports in 1492. However, Zheng He's penis had already been cut off by his time, by some victorious military men who deemed it fitting to do so, and such a court was truly unworthy of possessing greater navigators.
大海似乎厌恶没有鸡巴的男人物种，所谓中华男儿。
The sea seems to despise the species of men without a cock, what they call Chinese men.
大约 1425 年，意大利 画家 马萨乔 在 弗罗伦萨 的 卡尔米内圣母大殿 里的 布兰卡契小堂 绘制壁画， 作品包括： 逐出伊甸园 , 纳税银，等等。 这些画中展示出了焦点透视技法， 马萨乔 遵守了三维物体因为人眼视觉焦点而在成像平面上的变形。
Around 1425, Italian painter Masaccio painted frescoes in the Brancacci Chapel of Santa Maria del Carmine in Florence, including works such as The Expulsion from Eden and The Tribute Money. These paintings showcased the use of linear perspective, where Masaccio followed the principle that objects in three-dimensional space appear to deform on a flat imaging plane due to the focal point of human vision.
Masaccio, 1401 – 1428, Florentine artist, Italian
Masaccio, 1401 – 1428, Florentine artist, Italian
今天人们在电脑屏幕上制作 3D 模型时很容易从不同角度感受这样的几何视图的变换。 然而在六百年前，人们才是刚开始用绘画作品重构更真实的视觉感受。
Today, people can easily perceive the transformations of such geometric views when creating 3D models on computer screens. However, six hundred years ago, it was only just beginning for people to recreate more realistic visual experiences through paintings.
在中国传统文化中，这些都被归为：奇技淫巧。
In traditional Chinese culture, these are categorized as:奇技淫巧 (qí jì yín qiǎo).
几何原理、光学成像原理不仅仅是绘画方法， 在社会生产中也有广泛的用途。 但是在中国传统绘画中几乎没有出现过。 另一个更奇怪的没有出现的内容是：人体。
The principles of geometry and optics are not limited to painting methods; they also have widespread applications in social production. However, they rarely appear in traditional Chinese paintings. Another even stranger missing element is the human body.
为什么？难道中国人没有人体感受吗？
Why? Don't Chinese people have human feelings?
艺术可以有不同的表达途径，中国历史上有很多精美的水墨绘画， 但是总的来说传统的中国美术中缺少了两个要素：人体、成像原理。
Art can be expressed through various means, and China has a rich history of exquisite ink and wash paintings. However, in general, two elements are missing from traditional Chinese art: the human figure and principles of imaging.
一些学者研究宋明时期可能导致资本主义的中国社会结构因素， 试图从当时中、 英社会共同拥有的一些社会现象中寻找有可能让宋明时的中国得到未曾得到的科学、 工业和宗教自由与和平民主的机会。 这些学者很搞笑， 非要用一些莫明其妙的因素来解释什么东西， 却坚持忽视最真实的真相：人的身体。
Some scholars have studied the social structures in Song and Ming periods that might have led to capitalism, attempting to find potential opportunities for scientific, industrial, and religious freedom and peaceful democracy that were not realized by China at that time through some common social phenomena between Chinese and British societies during those times. These scholars are rather amusing in their attempt to explain things with some inexplicable factors while persistently ignoring the most real truth: the human body.
全世界的学问能比你的鸡巴重要吗？ 再加上全世界的爱和财富？ 能够比你的脚掌重要吗？
Can all the knowledge in the world be more important than your dick? Or can all the love and wealth in the world be more important than your foot?
金字塔是一个爬虫生态环境，它如何把人类变为爬虫？ 它需要做到两件事：消灭人体美学，消灭人类思维中的逻辑。
The Pyramid is a spider ecosystem. How does it turn humans into spiders? It needs to accomplish two things: eliminate human body aesthetics and eliminate logic from human thinking.
它也已经做到了，这两件事就没有在中国史上出现过。
It has already done so, and these two things have never appeared in Chinese history.
当欧洲开始文艺复兴时，出于逻辑学的要求， 我们将把欧洲所发生的一切当做人类史中的「孤例」， 对于仅发生了一次的历史我们将不使用「归纳法」， 而对于已经发生在中国的故事和即将发生的故事我们将仅使用「推导法」。 我们将由金字塔模型推导中国人的性格变化， 观察人类如何得到爬虫类的性格，比如：愚蠢、自私和永远的互害。
When Europe began its Renaissance, driven by the requirements of logic, we will regard everything that happened in Europe as a 'unique case' in human history. For events that have occurred only once, we will not use induction, while for stories already happening in China and those yet to come, we will use deduction alone. We will deduce changes in the character of the Chinese people from a pyramid model, observing how humans acquire characteristics similar to reptiles, such as foolishness, selfishness, and eternal mutual harm.
Instead of induction we're going to use deductive thinking for Chinese history, this let us learn how the pyramid evolves homo sapiens into serpents.
Instead of induction, we will use deductive thinking for Chinese history. This allows us to learn how the pyramid evolves Homo sapiens into serpents.
我们穿越时间的脚步已经越来越慢， 为了赶时间， 再无法深入宋元明三个朝代地租田税、 民间借贷、 工场作坊等原始资本主义萌芽的细节中。 远远的了望一下， 中英或者中欧之间最大的相同点就是人、 最大的区别也就是人。 一幅幅赤裸裸的艺术品对照着一堆切下的鸡巴， 其它的都因此变为细节。
Our steps through time have slowed down, and to save time, we can no longer delve into the details of land rents and taxes, private loans, workshops, and factories during the Song, Yuan, and Ming dynasties—the early sprouts of primitive capitalism. We merely glance at them from afar.
The greatest similarity between China and the United Kingdom or Europe is people; their biggest difference is also people. One after another, naked artworks contrast with piles of severed penises, making all else mere details.
而中国人似乎永远不会明白鸡巴的重要性， 爬虫们不知道人类的鸡巴是不能切的。
And it seems that Chinese people will never understand the importance of a penis, Crawlers don't know that human penises cannot be cut.
欧亚大陆两端的人类共同拥有超过99%以上的相同基因， 完全相同的拥有准确到毫秒的血脉进化时间， 这并没有给他们带来相同的历史。 我们并没有说欧洲史一定比中国史更先进。 我们穿越了超过137亿年， 未尝不是为了寻找历史的前因后果。 然而， 我们早就放弃了因果律， 或者说我们希望逻辑学的各种力量都有机会为我们寻找故事的真相。 这个世界的真相甚至也许并不仅仅在时间中， 这个世界是多维的， 除了时间的维度， 还有空间和能量的维度， 还有知识、智慧和情感的维度， 还有机运和宿命的维度。一切维度会集中体现在人类的身体上， 因此肉体才如此重要和神秘。抛弃所有狗屁学问吧， 保留完整的人体的才是人类的历史。
The humans at both ends of Eurasia share over 99% of the same genes, having an exact and precise timeline of bloodline evolution down to the millisecond, yet this has not given them the same history. We are not saying that European history is necessarily more advanced than Chinese history. After traversing over 13.7 billion years, we have not abandoned our quest for understanding historical causality. However, we have long since forsaken causal laws, or perhaps we hope to give all forces of logic a chance to uncover the truth behind our stories. The truth of this world may lie beyond mere time; it is multidimensional, with dimensions of space and energy, and dimensions of knowledge, wisdom, and emotion, as well as luck and destiny. All these dimensions are embodied in the human body, which is why the physical form is so important and mysterious. Forget all that worthless scholarship; what truly matters is the complete human being.
相同的人类基因并没有带给人们相同的命运。 太多学者没有注意到东西方最大的相同之外也就是双方最大的不同之外。 这就是人体得到的命运， 双方最大的不同之处就是切割鸡巴带来的快感有没有成为社会的正义感。 所谓国家大义， 不过就是为了切人鸡巴的兽欲。
The same human genes do not bring the same fate to people. Too many scholars have failed to notice the biggest similarity between East and West, which is also their biggest difference. This is the fate that the body receives, Their biggest difference lies in whether the pleasure from cutting penises has become a sense of social justice. So-called national righteousness is nothing but the bestial desire to cut people's penises.
所有的人都期待肉体的安全与快乐。 研究社会、政治、经济、 军事这些题目的时候， 如果把人性丢掉了， 能有什么结果呢？ 侠义的存在理由就是去帮助弱者， 弱者的命运被忽视还如何自称侠义？
All people expect physical safety and happiness. When studying social, political, economic, and military topics, what can be the result if human nature is discarded?
The reason for the existence of chivalry is to help the弱者 (vulnerable). How can one claim to be chivalrous when the fate of the弱者 (vulnerable) is ignored?
这就是整个社会沦为弱者的原因之一。
This is one of the reasons why society has become dominated by the weak.
很难说哪一个是导致西欧现代化的原因， 印刷机的力量可能不小于几位艺术大师的作用。 毕竟， 真相是一种知识， 只有了解真相的人才有机会做出好的选择。 印刷机和印刷工业可以很便宜的把文字印在纸上， 降低知识成本后， 穷人才有机会得到知识。 字母文字的便利性也再一次显示出来， 只需要做几十种字模就可以开始排版印刷。 相比中文的象形字， 西方的字母文字印刷成本更低。
It's hard to say which one caused the modernization of Western Europe. The power of the printing press may not be less than that of a few artistic masters. After all, truth is knowledge, and only those who understand the truth have the opportunity to make good choices. The printing press and the printing industry can cheaply print text on paper, reducing the cost of knowledge after which the poor have a chance to gain knowledge. The convenience of alphabetic scripts is demonstrated once again; with just a few typefaces, one can begin typesetting. Compared to Chinese logographic characters, Western alphabetic scripts are cheaper to print.
印刷的成本是知识的成本， 知识的成本是文明的成本， 是不是？
The cost of printing is the cost of knowledge, and the cost of knowledge is the cost of civilization, is it not?
1453年， 奥斯曼帝国的穆罕默德二世攻入康士坦丁堡， 终结了千年帝国拜占庭。 这座古城的名字就是古罗马的康士坦丁大帝的名字， 也是今天土耳其的伊斯坦布尔。一个千年帝国完成了使命， 在被攻陷之前城里只有5万居民， 远远不再是鼎盛时的百万之城。 这一年， 5月22号夜晚人们在这座古城见到了一次月食。
In 1453, Mehmed II of the Ottoman Empire conquered Constantinople, ending the Byzantine Empire that had lasted for a thousand years. The name of this ancient city is Constantinople, named after Emperor Constantine the Great of ancient Rome, and today known as Istanbul in Turkey. A millennium-old empire had fulfilled its mission, with only 50,000 residents in the city before it was conquered, far from being the million-strong metropolis at its peak. That year, on the night of May 22nd, people in this ancient city witnessed a lunar eclipse.
而英法之间的百年战争也结束了， 实为法国贵族的英国国王被赶出了诺曼第， 他难于坐上法国王座， 也让英国失去了欧洲大陆上最后的一块土地， 成为彻底的岛国。
The Hundred Years' War between England and France also came to an end. It was a French noble king who had claimed English descent who was driven out of Normandy; he struggled to sit on the French throne, and this also led to Britain losing its last piece of land on the European continent, becoming a纯粹的岛国。
当时的中国， 4年前明朝皇帝明英宗听一个太监王振的谗言送了五十万明朝 军队去给蒙古人杀着玩， 史称土木之变， 他自己也做了俘虏， 后来办好回国手续， 回来之后被他兄弟景帝继续囚禁着， 好在这位好人兄弟也习惯了。
At that time in China, four years earlier, during the Ming Dynasty, Emperor Yingzong listened to a eunuch named Wang Zhen's slander and sent fifty thousand Ming troops to be slaughtered by the Mongols. This event is historically known as the Battle of Tumu. He himself became a captive. Later, after handling his repatriation paperwork, he was returned but continued to be imprisoned by his brother, the Emperor Jingzong. Fortunately, this good-natured brother had grown accustomed to it.
有历史学家总结拜占庭的沦陷：东罗马陷落的原因就是嫉妒， 她被所有的国家嫉妒。 千年帝国有高耸的教堂盛大的宗教游行， 有圣光从天空流淌下来， 让人们沐浴其中， 让这座古城成为嫉妒的中心， Envy of the world。
Historians have summarized the fall of Constantinople: The reason for the downfall of the Eastern Roman Empire was envy, it was envied by all countries. A millennium-old empire with towering churches and grand religious processions, with holy light flowing from the sky, bathing people in its glow, making this ancient city the center of envy, Envy of the World.
1455年， 德国人古腾堡， Gutenburg, 开始印刷圣经。
In 1455, German Johannes Gutenberg began printing the Bible.
此时的中国， 三国演义和水浒传都已经刻版印刷了吧。 字模排版印刷的成本明显更低， 刻版印刷需要把一本书刻在一块块木板上， 而活体字模却让一个排版工人可以排印很多本书。
At this time in China, Romance of the Three Kingdoms and Water Margin had already been printed using woodblock printing, right? The cost of typographic composition printing was明显 lower. Woodblock printing required carving each book onto individual wooden blocks, while movable type allowed one compositor to print many books.
欧亚大陆西边的文化成本因此下降。
As a result, the cultural costs in Western Eurasia decreased.
在欧洲国家的博弈系统中， 始终都有一个强大的因素：教会。 教会做为一种政治力量使得国家必须考虑信仰的问题， 让暴君多少顾及自己的灵魂和天堂的关系。
In the gaming systems of European countries, there has always been a powerful factor: the church. The church, as a political force, makes nations consider questions of faith, causing tyrants to at least think about their souls and their relationship with heaven.
在欧洲的文化中， 也总有大量裸体雕刻， 让人联想是否人体美学可以对暴 君产生影响。 是否天国的思想依然被腐败的教会传播了， 或者罪与罚的教义探索是否容易让人类变得友爱。 或者大瘟疫大灭绝让人们彻底绝望之后才有希望？
In European culture, there are also numerous nude sculptures, raising the question whether human beauty can affect despots. Is the idea of heaven still spread by corrupt churches, or do teachings on sin and punishment make humans more friendly? Or is hope only born after the great plague and mass extinction bring total despair?
而在这一切因素的做用下， 我们也无法忽视东罗马曾经的存在， 拜占庭举行的盛大的宗教游行。 如果不是这个令欧洲君主嫉妒的千年国度挡在伊斯兰军队的面前， 穆斯林们早已经将战火点燃在了整个欧洲。
Under all these factors, we cannot ignore the existence of the Eastern Roman Empire, with its grand religious processions. Had this millennium kingdom not stood in the way of the Islamic armies and quenched their thirst for conquest in the east, the Muslims would have already ignited war on the entire European continent.
西欧后来了发展了科学知识体系、建立了民主、 达到了更高的文明程度， 更尊重生命。 我们不知道这些成果的种子是什么时候种下的， 什么时候发芽的。不知道有几颗种子成为原因， 沿着哪几根枝条开花结果。 构成因果的因素太多， 难以确认唯一原因。
West Europe later developed a scientific knowledge system, established democracy, and reached a higher level of civilization, showing more respect for life. We do not know when the seeds of these achievements were sown or when they sprouted. We do not know which seeds became causes, along which branches they bloomed and bore fruit. The factors constituting causality are too numerous to confirm a single cause.
甚至不知道因果定律能不能解释历史， 不知道历史结果的原因究竟在哪里。
Even unknown whether the law of cause and effect can explain history, and unknown where the true causes of historical outcomes lie.
然而我们可以看清楚了：金字塔上没有人类发展的机会， 相反这是培育爬虫的环境。 金字塔上只有一个顶点， 天无二日，民无二主。顶点要求人民从肉体到思想的服从， 这是结构的力量，人民的脑袋终将失去发展逻辑思维的能力， 逻辑学反映着人类思维的规律，当人们无法建立逻辑思维的时候， 人们就开始了向爬虫的进化。
However, we can see clearly now: there is no opportunity for human development on the pyramids, instead, it is an environment to nurture crawlers. On the pyramid, there is only one apex, there can be but one sun, and but one sovereign among the people. The apex demands obedience from the people in both body and mind, this is the power of structure; eventually, the minds of the people will lose their capacity for logical thinking. Logic reflects the laws of human thought. When people are unable to establish logical reasoning, they begin to evolve into crawlers.
所谓愚民，就是爬虫。
So-called ignorant people are crawlers.
1492年哥伦布探索美洲， 他和其后的麦哲伦都是西班牙资助的航海家。 人们相信奥特曼帝国在沦陷了拜占庭帝国之后占据了欧亚非之间的交通， 并且奥特曼成为一个强大的帝国， 这使得欧洲人无法向东， 于是被迫去大西洋上寻找新的航线。
In 1492, Columbus explored the Americas, he and later Magellan were both naval explorers funded by Spain. People believe that after the fall of the Byzantine Empire, the Ottoman Empire controlled the traffic between Europe, Asia, and Africa, and thus became a powerful empire, preventing Europeans from going east, forcing them to seek new routes in the Atlantic.
回顾西班牙的历史， 在一千多年前古罗马帝国衰落后， 中欧的苏维汇人、 西哥特人相继来到西班牙。 415年建立了以图卢兹为都城的西哥特王国。 711 年，也就是唐朝的武则天皇帝去世后六年， 阿拉伯人瓜达莱特渡海前来打败西哥特人， 西哥特王国灭亡。
Reviewing the history of Spain, following the decline of the ancient Roman Empire over a thousand years ago, the Suevi and Visigoths successively arrived in Spain. In 415, the Visigothic Kingdom was established with Toulouse as its capital. In 711, six years after Empress Wu Zetian of the Tang Dynasty passed away, the Arabs crossed the sea to defeat the Visigoths, leading to the fall of the Visigothic Kingdom.
在阿拉伯人统治西班牙的时期， 向北逃亡的西哥特贵族联合山区人民在半岛的北部逐渐形 成阿斯图里亚斯、莱昂、卡斯蒂利亚、阿拉贡 、纳瓦尔、加泰罗尼亚和葡 萄牙等信奉天主教的王国。
In 1492, Catholic forces defeated the Moors, reclaiming Spain.
这些小王国逐渐合并。 1469年卡斯蒂利亚王国的伊莎贝拉一世与阿拉贡王国的斐迪南二世 (1479～1516 在位) 结婚， 1479 年两国合并。 罗马教皇亚历山大正式授与伊莎贝拉一世和斐迪南二世“天 主教国王”的称号。 从公元700年至此， 差不多8个世纪的时间里， 西欧人和半岛南方的阿拉伯人保持对抗。
These small kingdoms gradually merged. In 1469, Isabella I of Castile married Ferdinand II of Aragon (who reigned from 1479 to 1516), and their two countries united in 1479. Pope Alexander VI officially granted the titles "Catholic Kings" to Isabella I and Ferdinand II. From around 700 AD until this point, which is about eight centuries, Europeans and the Arabs in the southern part of the peninsula maintained a confrontation.
这一段时间的西班牙被称为摩尔人的西班牙， Moorish Spain. 犹太人在这里的地位比较好， 搜索犹太人在西班牙的黄金时期可以看到详细的描述， 欧洲人对犹太人复杂的感受是有历史原因的。
This period of Spain is known as Moorish Spain. The Jews here enjoyed a better status, A search for the Jewish Golden Age in Spain would provide detailed descriptions, Europeans' complex feelings towards the Jews have historical reasons.
1492年， 信奉天主教的军队在格拉纳达打败摩尔人， 收复了西班牙。
In 1492, Catholic forces defeated the Moors and reclaimed Granada, Spain.